Where do I write?

One of the questions readers frequently ask is where do I write. Physically that is. Which seat is my backside attached to? What can I see from if I look up from the screen?

The answer is usually wherever I happen to be at the time. But if the weather allows it, outdoors. Here are three images of some of my favourite writing locations. The first is at Schloß Pesch in Meerbusch Ossum. The other two are in Meerbusch Büderich.

Meerbusch-Büderich in WW2

In The Devil’s Missal there is mention of a hidden mural depicting Büderich as a Nazi-idyll in one of the town’s administrative buildings. The mural is said to be covered by plaster now and only an old photograph is known of it. In fact there is evidence that such a mural exists – or existed – as there is indeed a photograph of it in the town’s records.

Mural depicting Meerbusch-Büderich during the Third Reich

The building where the mural is said to be hidden is the former Hitler Youth building on the main square.

Former Hitler Youth HQ Meerbusch-Büderich

By the end of the war, most of the surrounding buildings had been destroyed during heavy bombardment. Since this picture was taken, many of those empty spaces have been built on.

View of the main square in Büderich from the St. Mauritius church tower, 1950 with the Rhine in the distance

The woods around Schloß Pesch

Part of the attraction for using the setting of Schloss Pesch for a ghost story lies in the surrounding woods. In The Devil’s Missal, the sinister atmosphere of the surrounding woods can be felt even on a bright sunny day. There are multiple paths leading off into the trees which disappear into dark undergrowth. It feels as though eyes are watching you from within the darkness.

The farm at Schloß Pesch seen from an upper window

Schloß Pesch from the rear

I realised that the photos on this blog so far have only shown Schloss Pesch from the front as you enter through the main gate. Holda, the main character in The Devil’s Missal used to enter the grounds from the Herrenbusch, which was easy to do in the 1990s, but the path has now been blocked off and a thick hedge blocks the way from the field at the rear.

Schloß Pesch seen from the rear in the 1990s
View from an upper window of Schloss Pesch – 1990s

Old stories about Meerbusch

One of the characters in The Devil’s Missal is a collector of stories. He travels around the various villages of Meerbusch talking to residents, gathering their tales of times past and present, trawling through old photographs, letters and diaries.

As a rural community, many of the anecdotes will have been about life on the land, which has seen great changes in the past century. It seems strange to think that only eighty years ago there were still farmers ploughing with oxen or horses in the area.

The Teloy Mühle in Lank

When I picked the Teloy windmill as the setting for a particular scene in The Devil’s Missal, I was particularly looking for somewhere which looks rock solid – a safe port in a storm, so to speak.
I was in Lank today and thought I’d drive past the windmill to take a photo for this blog, but then the same thing happened as always seems to happen to me when I go there. I couldn’t find the windmill. I know, I know, how can you lose something the size of a windmill? In my defence, it is hidden by trees and other buildings until almost the point where you’re walking into it. Anyway, the elusive mill couldn’t evade me in the end. Here are a couple of snaps to prove it.